Robe to Port Fairy
11/3/16 to 12/3/16
Fog. Clammy and seeping fog. Oozing all around us and
reducing visibility across the basin to a blur. It slithered in, as thick as
cold gravy, in the early hours of our projected departure. The throaty diesels
of the fishing boats seemed amplified in the pre-dawn murk and they grumbled
their way past us like ghostly beings with shadowy forms going about their
tasks and duties on the afterdecks; in shrouded work lights as they put to sea.
In the damp stillness, the marina lights across the harbor struggled to assert
themselves and the scene was akin to a gas lit street in winter in Victorian
England.
It put me in mind of Dickens’ unforgettable descriptor of
a Thames pea-souper as a mood-setting introduction to the grim novel Bleak House.
Fog everywhere. Fog up the river,
where it flows among green aits and meadows; fog down the river, where it rolls
deified among the tiers of shipping and the waterside pollutions of a great
(and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog
creeping into the cabooses of collier-brigs; fog lying out on the yards and
hovering in the rigging of great ships; fog drooping on the gunwales of barges
and small boats. Fog in the eyes and throats of ancient Greenwich pensioners,
wheezing by the firesides of their wards; fog in the stem and bowl of the
afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly
pinching the toes and fingers of his shivering little 'prentice boy on deck.
Chance people on the bridges peeping over the parapets into a nether sky of
fog, with fog all round them, as if they were up in a balloon and hanging in
the misty clouds.
Ready to go into the fog ! |
Crew of Force Majeure, Urchin & Calista |
We edged seaward, cocooned in a capsule of grey and up
forward the moisture laden air condensed on clothing and dripped off one’s brow
as though it was raining although really it was not. A handful of pot-ropes
came and went and the oily swells beyond the headland came out of a world off
our bow that was nearly opaque. Our track on the chart gave us our position and
the AIS (Automatic Identification System) device fitted to our chart-plotter
gave us early warning of the presence of big ships – which are compelled to
have AIS these days – and of smaller ships that, like us have AIS capacity. Urchin has AIS, so we could locate them
on our plotter, and had their location, course and speed at a click of a
button. On our plotter, a “target” ship comes up like a coloured elongated
triangle with a narwhal-like pointer preceding it, giving its current direction
on the chart. Added to this though are some crucial features, and by “clicking”
on the target, we get the ship’s name, size, destination, radio call-sign, and
crucially, if the vessel is headed our way, how close it will come to us if it
stays on its current heading and how long it will be before it reaches us.
Because AIS is VHF radio linked, we get to “see” ships that are still over the
horizon, and if they are likely to pass close to us we have their unique radio
ID (callsign), so that we can communicate with each other to ensure that we
pass each other in safety. Changing watches at night sees us routinely share
what is “coming up” on AIS. These features would prove invaluable to us as we
made for Port Fairy.
Difficult to see the harbour exit let alone craypots! |
The wonder of AIS technology did not account, however for
the presence of smaller vessels such as the cray-boats that we knew were
somewhere out to sea, and like us, enveloped in fog. We are certain that they
leave clear marks on their chart-plotters so that they can return to their
pots, day, night, rain or fog. Some boats have “AIS receive” only, so that they
can see other ships but other ships cannot “see” them. Fishermen, since the
dawn of time have not wanted other fishermen to see where they are operating. For
us to “see” non – AIS vessels, like those that left Robe before dawn, we have
set up our radar linked to our chart-plotter screen, and with a warning set at
10 nautical miles, we could “see” most boats ahead of us although looking out
from our bow was a waste of time, as the fog, even in late morning, continued
to envelop us.
The limestone coast dropped astern of us, unseen, with
Beachport, Southend, Carpenter Rocks and then Port MacDonnell all existing for
us only on our chart. By nightfall, the skies had cleared and we had passed into
Victorian waters, with the loom of Mount Gambier faintly visible away to the
North-West. We were plying waters above the continental shelf, and although in
400’ of water where cray-pots were no longer a consideration, there were other
obstacles in our way that demanded our attention.
Abeam of Discovery
Bay an AIS target showed a 95’ seagoing tug, the Molly Grace, bound for Adelaide, dead ahead and coming our way. The
Molly Grace was listed as having
“limited maneuverability” and we were unsure if this ship was undertaking a tow
of some form. Following the AIS information, we called up her night-watch and
agreed to pass within a mile of each other, starboard to starboard. Later, at
4am and deep into the dog-watch, Cookie had to contend with a bigger problem
that might require some course alterations. The container ship African Lark was charging at us from
Portland waters, and appeared to be a genuine concern for both ourselves, and for
Urchin, just ahead of us. Cookie
could not be totally sure if Urchin had
seen the African Lark bearing down
and could not be sure if the Lark, on
autopilot, was mounting a sharp watch on the bridge. Cookie was about to place
a radio call alert when a sudden deviation by Urchin to starboard (Maree would later tell us that she was on
watch), showed that they thought it necessary to change course to let the big
ship through. The African Lark – love
the name – lumbered on past us into the night doing 16.5 knots. We hope the
images drawn from our chart plotter – in night mode – will help readers to know
a little more about navigation on our small ship at night.
Details about the African Lark on our AIS. Note the CPA closest Point of Approach only .35nm so a change of course was necessary to avoid a collision !
|
With the dawn came Portland waters and we were relieved
that yes we could effectively navigate through fog, and that the soggy air had
probably kept the lid on the Sou-Easter, that had been forecast to rise during
the night off Port MacDonnell waters. We would rather motor through calm that
beat our way into the Devil Wind. With dawn upon us, Bridgewater Bay abeam, and
Cape Nelson ahead, we heard that both Urchin
and Force Majeure were bearing away
for Portland leaving us to cover the 20 plus miles via Lady Julia Percy Island to
Port Fairy, alone. Force, on a
tighter time frame than us, was set to re-fuel then head immediately for King
Island. We hoped that we would re-connect with Brian and Maree, later at Port
Fairy.
Wind farms on approach to Portland. |
With scudding showers threatening but not really
eventuating, we headed on with the industrial infrastructure of the port of
Portland, slipping astern off our port quarter. Lady Julia Percy Island soon
loomed ahead, rising like a Nevada mesa, with its table top apparently
providing home to a horde of Short Tailed Shearwaters, known colloquially as
Mutton Birds. A couple of cray pots captured our attention in the vicinity of
the island, and by then the unmistakable pinnacle of the Port Fairy Lighthouse
gave as a landmark to steer to, with us giving it good clearance in the
prevailing onshore conditions.
The majestic lighthouse of Port Fairy. |
Great to be back in delightful Port Fairy. |
With our eye on the port marker that leads mariners into
the delights of the Moyne River we could see the white forms of enormous tents
that had sprung up on the local green like mushrooms following autumn rain. We
were in luck! We had arrived for the 40th anniversary Port Fairy
Folk Music Festival, and if we could muster the energy after 32 hours at sea it
would be time to tie up the ship, remove the wet weather gear, throw on the
Kaftans, and join in the party. After the fogs of Robe and the essence of
Mutton Bird off Lady Julia Percy, now there was something
else in the air.